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Thomas W. Gaehtgens (born June 24, 1940 in Leipzig) is a German art historian with special interest in French and German art and art history from the 18th to the 20th century. He was the founding director of the in Paris (Centre Allemand d'Histoire de l'Art de Paris; German Center for the History of Art, Paris) and is currently director of the Getty Research Institute in Los Angeles, California. ==Scholarly life and work== In 1966, Gaehtgens completed his Ph.D. dissertation on the French Renaissance sculptor, Germain Pilon, at the University of Bonn. In 1972 he published his Habilitationsschrift about Joseph-Marie Vien at the University of Göttingen. For some years he worked as an adjunct professor at the Art History Seminar of this university. From 1979 to 1980, he spent some research time at the Institute for Advanced Study in Princeton, New Jersey. From 1980 until his retirement in 2006 he was Professor of Art History at the Free University of Berlin.〔(Freie Universität Berlin: Verabschiedung des Kunsthistorikers Thomas W. Gaehtgens. )〕 Soon after his appointment to Berlin's University, Gaehtgens began turning his attention to pre-twentieth-century American art, which was not a primary field for art historians at German universities at that time. In 1985–86 he was a visiting scholar with the Getty Center for the History of Art and the Humanities. In 1988, this led to a major exhibition of American 18th and 19th century painting in Germany. In 1992, Gaehtgens took over the organization of the Twenty-Eighth International Congress of the History of Art in Berlin. From 1992 to 1996, Gaehtgens was president of the Comité International d'Histoire de l'Art (CIHA), which is supported by the Association of Art Historians.〔Gaehtgens is still an honorary member of this committee. See ().〕 In 1997, he founded, with German, French, and Swiss colleagues, the in Paris (Centre Allemand d'Histoire de l'Art de Paris), which organizes conferences, symposia, and workshops, undertakes research projects, and has published many books on art. From 1998 to 1999 he was Chaire européenne at the Collège de France. In 2004, he received an honorary doctorate at the Courtauld Institute of Art, London.〔(The Courtauld Institute Honours Professor Thomas Gaehtgens. )〕 In November 2007, he was appointed director of the Getty Research Institute (GRI) in Los Angeles, California.〔(The Getty: Current Press Releases: "THOMAS W. GAEHTGENS NAMED DIRECTOR OF THE GETTY RESEARCH INSTITUTE". )〕〔(Suzanne Muchnic, "New leader for Getty Research Institute", ''The Los Angeles Times'', August 14, 2007. )〕〔(Kai Michel, "Zurück ins Paradies: Aus dem Ruhestand startet der deutsche Kunsthistoriker Thomas W. Gaehtgens noch einmal zum Höhenflug – als neuer Leiter des Getty Research Institute in Kalifornien", ''Die Zeit'', August 27, 2007. )〕 According to the late James N. Wood, formerly president and CEO of the J. Paul Getty Trust, "Thomas Gaehtgens is uniquely qualified to serve as director of the Getty Research Institute. His contributions to our appreciation and understanding of the visual arts through his own scholarship, his creation of opportunities for others, and his realization of a wide range of publications, combined with his international experience and network of colleagues, assure the continuing dynamism of the GRI and promises new opportunities for its exceptional staff." In 2009, Gaehtgens received the Grand Prix de la Francophonie de l'Académie française〔(Grand Prix de la Francophonie de l’Académie Française: Thomas W. Gaehtgens. )〕 and in 2011 an honorary doctorate from the Paris-Sorbonne University. In 2011, he was elected a Fellow of the American Academy of Arts and Sciences.〔(The University of Sydney: The Getty Research Institute’s Scholarly Resources and Research Projects )〕 In 2009, he published the first issue of the ''Getty Research Journal'', which features the work of established and emerging art historians, museum curators, and conservators around the world as part of the Getty's mission to promote critical thinking in the presentation, conservation, and interpretation of the world's artistic legacy.〔(Getty Research Journal )〕 In 2011/2012, he co-curated Pacific Standard Time: Art in L.A., 1945-1980, a scholarly collaboration of artists, curators, critics and over 60 cultural institutions across Southern California, coming together for six months to produce exhibitions that told the story of the birth of the Los Angeles art scene and how it became a major new force in the art world.〔(News from the Getty, January 27, 2010. )〕〔(The Getty Foundation: Pacific Standard Time: Art in L.A. 1945—1980. )〕〔(Roberta Smith, "A New Pin on the Art Map", ''The New York Times'', November 10, 2011. )〕 According to James Cuno, "Professor Gaehtgens is a committed internationalist, at home in German, French, and English, with students and scholar colleagues around the world sharing his internationalist values and joining him on research and professional projects that advance our common understanding of our world's shared artistic legacy."〔(The Courtauld Institute Honours Professor Thomas Gaehtgens. )〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Thomas W. 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